Journal Guide

View a list of the latest free articles available from Museum Management and Curatorship Museum Management and Curatorship (MMC) is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice. It is published quarterly and all submitted manuscripts will undergo double-blind review. The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility.MMC is committed to an intelligent balance between theory and practice and is relevant to both academics and museum practitioners. It provides an authoritative forum for challenging and debating theories, models and practices that have significant implications for museology throughout the world, while also striving to be as multidisciplinary and interdisciplinary as possible.A leading journal in the museum field for twenty years under the joint editorship of Dr. Peter and C. A. Cannon-Brookes, Museum Management and Curatorship is now edited by Dr. Robert R. Janes, Professor and former Glenbow Museum President. ------------ Now available from Routledge! - Museums in a Troubled World: Renewal, Irrelevance or Collapse? (Robert R Janes). To find out more or to order your copy today click here DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

The New Review of Film and Television Studies promotes current research in the humanities that makes a central contribution to film and television studies. The journal publishes research dedicated to clearly formulated, reliable methods of analysis, well posed questions examining resolvable problems, and focused deliberation on those problems. Essays on film theory (of all varieties), film narratology, and contemporary filmmaking practices are particularly welcome. The journal is driven by the belief that intellectually rigorous research in the humanities is both possible and necessary. In-depth stand-alone essays or extracts from major research projects in progress are particularly welcome. Please note: the journal does not accept papers written from a social science perspective. Book Reviews are commissioned for the New Review of Film and Television Studies by the editor. Books for review should be sent to Warren Buckland, Richard Hamilton Building, Oxford Brookes University, Headington Campus (Headington Hill), Oxford OX3 0BT, UK. Peer Review Policy:All papers in this journal have undergone editorial screening and peer review. Recent Articles: Jean Louis Schefer: screen memories from L'Homme ordinaire du cin233;ma Tom Conley Post-deconstructive realism? Nancy's cinema of contactLaura McMahon Phantom ladies: the war worker, the slacker and the 'femme fatale'Mark Jancovich Getting to Going to the ShowRobert C. Allen Film, space and place: researching a city in filmJulia Hallam Impersonal Enunciation, or the Place of Film (extracts)Christian Metz Cinema and the Two Cultures: Robert Lepage's La face cach233;e de la luneSylvie BissonnetteDisclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .

The periodical Oud Holland is the oldest surviving art-historical periodical in the world. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century. Oud Holland is published four times a year. Every volume is richly illustrated, has at least 200 pages, and comes with a comprehensive printed index of names. From early 2008 with the first number of Volume 121, Brill will be the new publisher of this periodical. A subscription to Oud Holland includes access to all back volumes online.

Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393). Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.

Palestine Exploration Quarterly (PEQ) is the peer-reviewed journal of the Palestine Exploration Fund, which was established in 1865 as the first scholarly society dedicated to the scientific study of what was then generally known as the Holy Land. In 1869, the Fund through its Palestine Exploration Fund Quarterly Statement aimed to illuminate the Bible for its readers with scholarly information about the land of the Bible.PEQ is the Statement's successor and while it remains true to its original brief, it has greatly widened its scope. In spite of its historical title, PEQ is concerned not just with Palestine/the land of Israel, but with the wider region of the Levant - its history, archaeology (including biblical aspects), art, languages, natural and earth ethnology, geography and natural and earth sciences. Its contents include studies of pottery and other artefacts, examination and interpretation of archaeological sites, publications and studies of inscriptions and ancient texts, articles on the history of the Levant, and the publication of archives relating to the exploration of the Levant, together with reports on archaeological work supported by the Fund, and reviews of books. PEQ publishes the work of both established and rising scholars within the field.