Japan Forum, the official journal of the British Association for Japanese Studies publishes original research in the multidisciplinary field of Japanese Studies, with articles in subject areas ranging from archaeology, language, literature, philosophy and culture to history, economics, politics, international relations and law.Submissions from younger researchers as well as from established scholars are welcome, as are submissions which cross disciplinary boundaries or do not otherwise match the subject areas listed above. All submissions are independently referred.Peer Review StatementAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous double-blind refereeing by two referees.Recent Special IssuesTokyo and Beyond -Volume 18, Number 3, 2006Censorship in the Japanese Arts - Volume 19, Number 3, 2007 Disclaimer The British Association for Japanese Studies and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the British Association for Japanese Studies and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the British Association for Japanese Studies or Taylor & Francis.
Japanese Studies is a fully refereed, international, interdisciplinary journal which publishes scholarly articles on various aspects of Japan, as well as book and film reviews. In addition to general non-thematic editions, the journal regularly publishies guest-edited thematic issues on such themes as postwar politics, environmental issues, literature, citizenship, the legal system, modern technology, management, Japanese language teacher education, and popular culture. These thematic issues are particularly valuable for university teachers and students who use up-to-date studies of Japan contained in the journal to supplement course readings. Contributions are invited from scholars around the world. Ideas expressed by the authors are their own and do not necessarily reflect the views of the editor, the Association, or the Editorial Advisory Board.Peer Review StatementAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous double-blind refereeing by two referees.All review papers in this journal have undergone editorial screening and peer review.Disclaimer The Japanese Studies Association of Australia and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the Japanese Studies Association of Australia and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Japanese Studies Association of Australia or Taylor & Francis.
As a refereed academic journal with an international editorial board of renowned jazz scholars, Jazz Perspectives provides a broad forum for promoting cross-disciplinary scholarly dialogue across the academic jazz community. Our mission is to stimulate the international study and appreciation of the rich legacy of jazz and its many musical and cultural tangents, both past and present. The journal aims to bridge the jazz-as-music and jazz-as-culture divide of contemporary jazz studies, as well as to promote broader international perspectives on the jazz tradition and its legacy. We likewise welcome the submission of first-rate scholarship from outside the academy. The pages of the journal are devoted to all aspects of - and all approaches to - jazz scholarship. The journal is an open platform for historical inquiry, music analysis, and cultural studies. The journal furthermore includes reviews and essays on significant recent literature and new recordings and media. Peer Review Policy All research articles published in this journal have undergone rigorous peer review, based on initial editorial board screening and refereeing by at least two anonymous external referees. Disclaimer for scientific, technical and social science publications Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Jewish Culture and History is an inter-disciplinary journal which brings together the best of current research in Jewish social history with innovative work in Jewish cultural studies. The journal includes cutting-edge research by younger scholars as well as established specialists, as well as reviews of recent publications. The journal explores previously neglected areas of the Jewish experience from a range of different perspectives including Jewish popular culture, social and political history, literary and cultural representation of Jews, and the global contexts of Jewish culture and history. All articles published in the journal have undergone rigorous peer-review, involving initial editor screening and double-blind refereeing.
The purpose of Jewish History, the sole English-language publication devoted exclusively to history and the Jews, is to broaden the limits of historical writing on the Jews. Jewish History publishes contributions in the field of history, but also in the ancillary fields of art, literature, sociology, and anthropology, where these fields and history proper cross paths. The diverse personal and professional backgrounds of Jewish History's contributors, a truly international meeting of minds, have enriched the journal and offered readers innovative essays as well as special issues on topics proposed by guest editors: women and Jewish inheritance, the Jews of Latin America, and Jewish self-imaging, to name but a few in a long list.
The Journal for General Philosophy of Science is a forum for the discussion of a variety of attitudes concerning the philosophy of science. It has as its subject matter the philosophical, especially methodological, ontological, epistemological, anthropological, and ethical foundations of the individual sciences. Particular emphasis is laid on bringing both the natural, the cultural, and the technical sciences into a philosophical context, within which the historical presuppositions and conditions of the current problems of the philosophy of science are also included in the discussion.
The Journal for General Philosophy of Science has been successful in its attempt to serve as a forum that bridges the gap between the different sciences, especially the natural, cultural, and social sciences. One of its purposes is to discuss and contrast the common as well as the different specific methodological and philosophical foundations of the individual sciences, taking into account all currently relevant positions of the philosophy of science.
In recent years considerable insight has been gained into the problems of current philosophy of science by considering the historical dimension of the sciences. This is why more intensive efforts will be made in the future towards the integration of historical and systematic considerations.
The journal contains:articles
discussions
reports on the state of the philosophy of science in individual countries
reviews
a bibliography of the major journals in the field of the history and philosophy of science. The journal is of interest to philosophers, especially philosophers of science, as well as to scholars from the field of the natural, cultural, social and technical sciences who are interested in becoming aware of the philosophical implications of their disciplines and in being stimulated by the transfer of methods, leading ideas, concepts and theories from other fields.<, br/>
The Journal for Maritime Research (JMR) was inaugurated in 1999 as the first fully-online, peer-refereed journal in the field of historical maritime research. From 2011 the JMR will be re-launched online and in print, published twice-yearly by Routledge. The JMR focuses on historical enquiry at the intersections of maritime, British and global history, an increasingly dynamic area of research. It seeks to champion a wide spectrum of innovative research on the maritime past. While the Journal has a particular focus on the British experience, it aspires to position this within broad oceanic and international contexts, encouraging comparative perspectives and interdisciplinary approaches. The journal publishes research essays and reviews around 15-20 new books each year across a broad spectrum of maritime history. Peer Review Policy All research articles published in this journal undergo rigorous peer review, involving initial editor screening and independent assessment, normally by two anonymous referees. Disclaimer: The National Maritime Museum and Taylor & Francis make every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, the Musuem and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Museum or Taylor & Francis. Routledge History Promote Your Page Too.