Journal Guide

The Denisoff Award for Best Article - Find out more Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms 'popular' and 'society' are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Popular Music and Violence, Popular Music and Journalism, Krautrock, Popular Music as Cultural Heritage, New Orleans Music, Hate Rock and Record Charts. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board. Peer Review Policy: All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees. Disclaimer for scientific, technical and social science publications: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Psychology of Music publishes peer reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies.

Renaissance and Reformation / Renaissance et Réforme is a peer-reviewed, multidisciplinary, bilingual publication. The journal welcomes previously unpublished essays in English or French on any aspect of the Renaissance and Reformation period.

This internationally peer-reviewed journal, published on behalf of SEMPRE, promotes the dissemination and discussion of high quality research in music and music education. The journal encourages the interrogation and development of a range of research methodologies and their application to diverse topics in music education theory and practice.

Co-herencia is a half-yearly journal published by the Humanities Department at EAFIT University. Its purpose is to disclose findings generated by investigations, theoretical reflections, specialized debates, translacions, essays, and critical reviews on topics related to humanistic studies in general, and associated with literature, philosophy, history, politics and communication studies in particular. Co-herencia is directed towards professors, researchers, students, and scholars within the disciplines or knowledge areas which comprise the ample spectrum of humanistic studies, but also to other readers with an affinity for the scholarly topics compiled in each volume. Its purpose is to be a forum of interdisciplinary discussion and a space for dialogue among peers on the contributions of humanities in determining a thinking and deliberating community in Colombia.

La Revista Musical Chilena ha identificado como sus principales a´reas de intere´s, la cultura musical de Chile, considerando tanto los aspectos musicales propiamente tales, como el marco histo´rico y sociocultural, desde la perspectiva de la musicologi´a y de otras disciplinas relacionadas. Al respecto, considera propuestas de arti´culos que traten sobre temas vinculados a compositores, ejecutantes e instrumentos de la mu´sica de arte, folclo´rica, popular urbana e indi´gena, al igual que propuestas de arti´culos atinentes a manuscritos, investigadores, aspectos teo´ricos y modelos musicolo´gicos, adema´s de nuevos enfoques de la musicologi´a como disciplina, tanto en Chile como en Ame´rica Latina. El propo´sito de la RMCh es el ensanchamiento permanente de los horizontes musicolo´gicos de Chile y Ame´rica Latina.