Journal Guide

The Musicological Annual is a scientific journal that is primarily focused on publishing the most recent papers in the fields of historical and systematic musicology in the local and international environments. Special attention is devoted to researching Slovenian musical heritage, i.e. music that is in one way or another linked to the Slovenian cultural environment.

Musicology Australia is the scholarly journal of the Musicological Society of Australia. Since its inception in 1963, the journal has published articles on all aspects of music research, including ethnomusicology and musicology, which marks it out from most other music journals.Today, articles and reviews cover a broad spectrum of music research, including historical musicology, ethnomusicology, popular music, indigenous music practices, jazz, theory and analysis, organology, performance practice, contemporary music and psychology of music. The journal is published twice a year: in July (the regular issue) and December (a special issue). Contributors are not required to write on Australian music or be Australian-based musicologists. Researchers interested in proposing a Special Issue should contact the Editor for further information.Articles should normally be 6000-10,000 words (including footnotes and/or references), though shorter and longer articles will be considered. All articles considered for publication are assessed anonymously by at least two experts. Solicited and unsolicited book reviews (2000 words) and review articles (4000 words) are considered for publication. Disclaimer The Musicological Society of Australia and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the Society and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.

Focused primarily on African music research, Muziki: Journal of Music Research in Africa welcomes scholarly articles and reviews of books, music, and recordings related to musical theory and practice of the African continent and beyond. We aim to provide a platform for established and emerging scholars in the fields of performance practice, ethnomusicology, and ‘traditional’ musicology as well as jazz and popular music studies encompassing diverse aspects of local, diasporic, and global research.

Muziki succeeded the long-established Ars Nova journal of the Musicology Department at the University of South Africa in 2004. The journal is accredited by the South African Department of Higher Education and Training and employs a rigorous double-blind peer review process for all submissions.

At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .

Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393). Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.