Journal Guide

Fabrications is the refereed journal of the Society of Architectural Historians, Australia and New Zealand. Established in 1989, it is devoted to scholarly publication in the field of architectural history. It particularly welcomes papers on the architectural, urban and landscape history of Australia, New Zealand, the South Pacific and South-East Asian regions, while casting its net much further afield. The journal publishes refereed papers, academic essays and book reviews that are both concerned with these regions and papers which take a wider view of international questions or issues.

Journal of the Society of Architectural Historians is a leading English-language journal on the built environment.Published quarterly.Each issue of JSAH offers three to four scholarly articles on American and international topics, reviews of recently-published books, reviews of architecture exhibitions, and a variety of editorials designed to place the discipline of architectural history within a larger intellectual context.Society of Architectural HistoriansSAH is a not-for-profit membership organization and learned society that promotes the study and preservation of the built environment worldwide.

Published since 1964, Winterthur Portfolio is an interdisciplinary journal committed to fostering knowledge of the American past by publishing articles on the arts in America and the historical context within which they developed. Arts is used in its broadest sense to include all the products of human ingenuity that satisfy functional, aesthetic, or symbolic needs. Preference is given to articles that are analytical rather than descriptive and to studies that integrate artifacts into their cultural framework.To encourage the application of new methods of investigation or analysis as well as new interpretations, contributions are invited from such diverse fields as art history, architectural history, decorative arts, material culture, American studies, literature, folk studies, cultural geography, ethnology, anthropology, archaeology, and social, economic, technological, and intellectual history. The range of acceptable subjects is suggested by, but not limited to, the following: artists and artisans, architecture and landscape design, technology and trade, fashion and folkways, style and taste, customs and habits, manners and rituals-all relating to how people make and use objects to create or sustain environments.

Digital Applications in Archaeology and Cultural Heritage (DAACH) is an on-line, peer-reviewed journal in which scholars can publish 3D digital models of the world's cultural heritage sites, monuments, and palaeoanthropological remains accompanied by associated academic articles.The journal aims both to preserve digital cultural heritage models and to provide access to them for the scholarly community to facilitate the academic debate. DAACH offers scholars the opportunity of publishing their models online with full interactivity so that users can explore them at will. It is unique in that its focus is on the application of 3D modeling to cultural heritage. DAACH will provide full peer-review for all 3D models, not just the text, 2D renderings or video fly-throughs, and requires all models to be accompanied by metadata, documentation, and a related article, explaining the history of the subject and its state of preservation, as well as an account of the modeling project itself. The journal focuses on scholarship that either promotes the application of 3D technologies to the fields of archaeology, art and architectural history, and palaeoanthropology or uses 3D technology to make a significant contribution to the study of built structures, works of art or palaeoanthropological remains.Digital Applications in Archaeology and Cultural Heritage will also consider papers dealing with processing of digital data acquired by geophysical prospection in archaeological sites (eg applications of 3D or 2D mapping of buried monuments), digital signals from luminescence measurements, multispectral imaging techniques and processing of atomic force microscopic data applied to archaeomaterials.The provision of a 3D model is not compulsory for an article to be published in this journal.

Special Issue - A Tribute to Helene E. Roberts 'Second Hand Images': On Art's Surrogate Means and Media - Part I: The Art Press and Photography Visual Resources: An International Journal of Documentation is devoted to the study of images and their uses. While images of architecture and works of art constitute its main focus, it also includes other subjects and contexts in a wide range of formats. Its scope delves into the past and looks toward the future, revealing how images have influenced the perception of art and how the interpretation of images conditions and enhances academic disciplines such as archaeology, history, and particularly art and architectural history. Visual Resources explores how visual language is structured and visual meaning communicated and also illustrates how picture collections are acquired, organized, indexed, and preserved. VR examines early attempts to document the visual, reports on the state of visual resources, assesses the effect of electronic technology on current and future uses, and provides a platform for reporting innovative ways to organize and access visual information - while aiming to increase the recognition and appreciation of visual documentation. Over the years, VR has published articles about verbal descriptions of art and architecture; copies, casts, and facsimiles; drawings, paintings, and prints; photography; library, archive, and museum collections; iconography; and computers and electronic imagery - and how these have functioned as documents of art and culture. Disclaimer: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.