Journal Guide

The well-established Creativity Research Journal publishes high quality, scholarly research capturing the full range of approaches to the study of creativity--behavioral, clinical, cognitive, cross-cultural, developmental, educational, genetic, organizational, psychoanalytic, psychometric, and social. Interdisciplinary research is also published, as is research within specific domains such as art and science, as well as on critical issues such as aesthetics, genius, imagery, imagination, incubation, insight, intuition, metaphor, play, and problem finding and solving. Integrative literature reviews and theoretical pieces that appreciate empirical work are welcome, but purely speculative articles will not be published.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Criminal Justice Ethics is a journal published three times a year designed to focus greater attention on ethical issues in criminal justice by and for philosophers, criminal justice professionals, lawyers and judges, and other contributors to an informed social discourse. Its editorial scope includes topics relating to the police, the courts, corrections, and broader issues in legal philosophy that bear on criminal justice and its processes.All agents of the criminal justice system face difficult problems involving moral choice, whether they concern the use of deadly force, conformity to the rules of office, decisions to prosecute, participation in plea bargaining, representation of the guilty, the imposition of punishment, or recourse to alternative sanctions. Even the concept of criminal justice itself is rooted in our concern for the proper treatment of those accused of wrongdoing. Yet, though these subjects have provoked widespread interest among the public, their systematic analysis from a normative perspective is often neglected or discussed at a level that is detached from the institutional embodiments of such issues. Criminal Justice Ethics seeks to provide this grounded perspective, resulting in the generation of a much-needed literature. The journal serves as a forum for diverse viewpoints, and the opinions expressed in articles and reviews are not necessarily those of the editors.

Free Article Access The Centre for Crime and Justice Studies is an independent charity that informs and educates about all aspects of crime and the criminal justice system. Criminal Justice Matters (CJM) is the quarterly magazine of the Centre for Crime and Justice Studies. The magazine engages critically with research, analysis and policy development relating to contemporary social, crime and justice issues in the UK and abroad. It provides a space for critical analysis, debate and the sharing of research, ideas, perspectives and practice. The Centre's work is underpinned by the values of independence, honesty, quality and justice, all of which are reflected in the content and editorial policy of CJM. CJM is aimed at, and commissions articles from, a broad range of professions and interest areas, including academics, students, practitioners, campaigners, policy makers, journalists and interested members of the public. Presented in 'jargon-free' language and an accessible format, each issue contains a number of articles on a specific theme, supplemented by a selection of non-themed articles reflecting and informing on current issues and debates. If you want to: * Make sense of the latest developments in government policy * Enhance your understanding of criminal justice, criminology and sociology * Get to the heart of the most pressing social, crime and justice issues * Read concise, informative and accessible articles by leading academics and policy makers * Be informed about theoretical debates and discussions * Have access to a unique resource of analysis, knowledge and learning Subscribe to Criminal Justice Matters today! Editorial Policy: Each issue of CJM contains a themed section on a particular area of interest, assembled by a guest editor. CJM also publishes articles of commentary, topical issues and reviews. We particularly welcome speculative submissions for these sections, exploring contemporary developments in political debate, policy and research. Potential contributors should contact the managing editor, Rebecca Roberts rebecca.roberts@crimeandjustice.org.uk, with a synopsis of 100-200 words outlining your article, its main argument and a clear sense of approach and style. Articles should: * be no longer than 1,700 words in length * be written in a jargon free and accessible style * have no more than seven references * use the Harvard style of references * not contain any footnotes * be written to a well-informed, but not exclusively academic audience * include photos or illustrations where possible. Potential contributors should note that publication, even of invited articles, cannot be guaranteed, and we reserve the right to edit where necessary. Articles, can only be accepted on this basis. Back Issues of CJM are available to purchase for £10. To purchase a back issue, please click here.

Criminal Justice Studies, a quarterly refereed journal, publishes articles that deal with substantive criminal justice and criminological issues. The journal welcomes all articles that are relevant to the issue of criminal justice, as well as those that may be outside the field but have relevancy to the topic of criminal justice. Articles that cover public administration, issues of public policy, as well as public affairs issues are welcome. The journal also publishes relevant literature reviews, research notes and summary reports of innovative research projects in criminal justice.Qualitative and quantifiable articles are sought mainly from academics and researchers in the field, though articles from professionals will also be considered. The journal publishes one special issue a year, with recent topics including Capital Punishment and Minorities and Latinos.Criminal Justice Studies was previously published under the title The Justice Professional.Peer Review Policy:All research articles in this journal have undergone rigourous peer review by three blind reviews plus by the editor initially screening and reviewing the submissions prior to being sent out for review.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Critical Arts Call for PapersOf the early issues dating from 1980 Ntongela Masilela observed that Critical Arts was coterminous with the awakening of the historical consciousness that the practice of cultural studies could facilitate in securing the demise of apartheid. He concluded that 8220;This monumental undertaking is evident on practically every page of Critical Arts8221;. Seminal authors who lent their intellectual labour to the early Critical Arts Project included JM Coetzee, Nadine Gordimer, Andre Brink and later Stuart Hall, Tom O'Regan, Ian Ang and Handel Kashope Wright, amongst many others. Masilela continued, 8220;On the eve of the fall of apartheid these and other scholars were engaging 8220;with the intersection of Marxism, race, representation and feminism in an attempt to create new epistemologies8221; (in Denzin, N. Cultural Studies: A Research Volume, Vol 5, 2000). Ioan Davies wrote in Border/lines (1985/6), 8220;Critical Arts's nervousness about what stance would be appropriate to coming to terms with culture in Africa seems to be perfectly in tune with anyone's nervousness with coming to terms with Africa8221;. The early contributions can be accessed via the Michigan State University eJournals project: http://digital.lib.msu.edu/projects/africanjournals/Critical Arts examined the relationship between texts and contexts, cultural formations and popular forms of expression, mainly in the Third World. After 1994, Critical Arts repositioned itself in the South-North nexus, developing the transdisciplinary epistemologies mentioned by Masilela, but now in conjunction with globally seminal scholars and transnational conceptual trajectories, again with the nervousness identified by Davies. Critical Arts interprets cultural studies as a form of praxis, of experience, and of strategic intervention. How does one explain the contradictions, the opposing ir/rationalities, the fracturing of logics which so brutally feed political solidarities at any cost? The exigencies of being under fire make it hard to find the discursive space in which participants can catch enough breath to speak the truths of their own participation. Our journal seeks to profile those approaches to issues that are amenable to a cultural studies-derived intervention, on the basis that `culture' is a marker of deeper continuities than the immediate conflicts under the fire of which so many must somehow live their lives. They must, perhaps, restore the vision of earlier theorists and historians, for whom `culture' was a kind of synthesis arising from the contradictions between human society and the politics of nations. Under the pressures of globalization, this kind of understanding becomes more relevant at every turn.The journal is rigorously peer reviewed and aims to shape theory on the topics it covers. Cutting edge theorisation (supported by empirical evidence) rather than the reporting of formulaic case studies are preferred as submissions. Our editorial board has consisted of African studies scholars (e.g., David Wiley, Maureen Eke), cultural studies luminaries (e.g., Stuart Hall, Larry Grossberg, Daniel Mato, John Hartley), influential media scholars (e.g., Paddy Scannell, Helge Ronning, Hopeton Dunn, Tom O'Regan), anthropologists (Dave Coplan, Lesley Green), and literary scholars (Ken Harrow) amongst many others drawn from African institutions also. Critical Arts' authors are Africans debating Africa with the rest; and the rest debating Africa and the South and with each other. Submissions are sought from both established and new researchers. Recent topics have included political economy of the media, political communication, intellectual property rights visual anthropology, dance and cultural studies in the Middle East.Keyan G Tomaselli Editor-in-ChiefCulture, Communication and Media StudiesUniversity of KwaZulu-NatalHoward College CampusDurban 4041, South AfricaFax: + 27-31-20-1519Tomasell@ukzn.ac.za DisclaimerTaylor & Francis and Unisa Press make every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, Taylor & Francis and Unisa Press and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, Unisa Press, or Taylor & Francis.

Critical Asian Studies is a peer-reviewed quarterly journal that welcomes unsolicited essays, reviews, translations, interviews, photo essays, and letters about Asia and the Pacific, particularly those that challenge the accepted formulas for understanding the Asia and Pacific regions, the world, and ourselves. Published now by Routledge Journals, part of the Taylor & Francis Group, Critical Asian Studies remains true to the mission that was articulated for the journal in 1967 by the Committee of Concerned Asian Scholars: * to develop a humane and knowledgeable understanding of Asian societies and their efforts to maintain cultural integrity and to confront such problems as poverty, oppression, and imperialism * to create alternatives to the prevailing trends in scholarship on Asia, which too often spring from a parochial cultural perspective and serve selfish interests and expansionism In this spirit Critical Asian Studies welcomes submissions that challenge the accepted formulas for understanding the Asia and Pacific regions, the world, and ourselves. Disclaimer BCAS, Inc.and Taylor & Francis make every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, BCAS, Inc.and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, BCAS, Inc.or Taylor & Francis.

Critical Discourse Studies is an interdisciplinary journal for the social sciences. Its primary aim is to publish critical research that advances our understanding of how discourse figures in social processes, social structures, and social change.Critical Discourse Studies has been established in response to the proliferation of critical discourse studies across the social sciences and humanities. We will consider for publication papers that meet the needs of scholars in diverse disciplines and areas of study which develop critical perspectives on the relationship between discourse and social dynamics. Relevant areas and disciplines include: anthropology, communication, linguistics, sociology, politics, political economy, education, psychology, media studies, geography, urban studies, cultural studies, management studies, literary studies, history, technology studies, legal studies, philosophy, gender studies, migration studies, ethnic studies and others. We also welcome papers which connect critical academic research with practical concerns and agendas, including those of activist and grassroots political movements.The scope of critical discourse studies is not limited to linguistic studies, or articles that are primarily empirical or analytical. Critical examination of non-linguistic phenomena that take a significant discourse orientation, as well as theoretical and methodological papers that advance critical understandings of discursive phenomena, are welcomed.Recognising the diversity, depth, and history of scholarship in the growth of critical discourse studies, no particular theoretical, disciplinary, or methodological "schools" or paradigms will be privileged over others in the selection of papers for publication. The primary criteria for publication are originality, scholarly rigor, coherence of argument, relevance and timeliness of research.Critical Discourse Studies is an international and interdisciplinary journal. The membership of its advisory board reflects the cultural, geographical, theoretical, and disciplinary diversity of the journal and its readership.Critical Discourse Studies encourages contributions from both new and established scholars. The journal recognises that the new and rapidly changing social relations of the current age call for new approaches to understanding the waves of change that continue to impact upon social, political, economic, and cultural formations. Therefore the editors strongly encourage the submission of papers that advance new approaches and new understandings that bridge disciplinary and cultural boundaries.Critical Discourse Studies aims to be accessible. It aims for papers that are written clearly, explain key terms and concepts in an accessible way for readers at many levels, and recognise the needs and interests of its diverse community of readers.Peer Review Policy All articles in this journal have undergone editorial screening and have been peer reviewed by at least two referees.Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Critical Inquiry in Language Studies: An International Journal (CILS) is the peer-reviewed journal of the International Society for Language Studies. Language studies overlaps fields of applied linguistics, language policy, language planning, modern languages and literatures, education, anthropology, sociology, history, political science, psychology, and cultural studies (including related fields, such as law, media, and information technology).CILS focuses on critical discourse and research in language matters, broadly conceived, that is generated from qualitative, critical pedagogical, and emergent paradigms. In these paradigms, language is considered to be a socially constituted cultural construct that gives shape to, and at the same time is shaped by, the larger social, political, and historical contexts of its use. The primary purpose of the journal is to provide a forum for discussion of the research from such emerging paradigms and at the same time to bridge arbitrary disciplinary territories in which it is being done. Peer Review Policy: All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by three anonymous referees.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.