Journal Guide

Mind & Society is a high-quality biannual academic journal that examines the relationships between mental and socio-economic phenomena. It is the official journal of the Italian-based Rosselli Foundation. Priority is given to papers that explore the relationships between mind and action and between action and socio-economic phenomena. This includes the following topics: the concept of mind of social actor: cognitive models of reasoning: decision-making and action: computational and neural models of socio-economic phenomena: and related topics. The international journal takes an interdisciplinary approach and publishes papers from many academic disciplines. These include: philosophy and methodology of social sciences, economics, decision-making, sociology, cognitive and social psychology, epistemology, cognitive anthropology, artificial intelligence, neural modelling, and political science. Papers in the journal must share the journal’s epistemological vision – namely, the explanation of socio-economic phenomena through individual action, decision-making and reasoning processes – or at least refer to its content priorities. Mind & Society publishes papers that report original results of empirical research or theoretical analysis. Each paper submitted for publication is evaluated by three international referees who assess its suitability for publication with regard to originality, methodological exactitude and consistency.Officially cited as: Mind Soc

Mind, Culture, and Activity (MCA) is an interdisciplinary, international journal devoted to the study of the human mind in its cultural and historical contexts. Articles appearing in MCA draw upon research and theory in a variety of disciplines, including anthropology, cognitive science, education, linguistics, psychology, and sociology. Particular emphasis is placed upon research that seeks to resolve methodological problems associated with the analysis of human action in everyday activities and theoretical approaches that place culture and activity at the center of attempts to understand human nature.MCA is organized into four distinct sections; the relative weights of each will change somewhat from issue to issue. Section 1 features articles of general theoretical or empirical importance that go through a regular peer review process. Section 2 includes symposia that are built around a central article or book addressing important theoretical themes. Commentaries are invited from scholars from different intellectual traditions and cultural contexts. Section 3 contains informal communications or renderings in alternative genres, such as work-in-progress reports, summaries of e-mail discussions, poetry, and more. Section 4 includes book reviews and shorter book notes.Peer Review Policy: All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by two anonymous refereesPublication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Modern Chinese Literature and Culture (ISSN # 1520-9857), formerly Modern Chinese Literature (1984–1998), is a peer-reviewed scholarly journal devoted to the culture of modern and contemporary China, with China understood not in the narrow, political sense (e.g., People's Republic of China), but in the sense of Greater China (e.g., Hong Kong, Taiwan, PRC, and the Chinese diaspora). The journal publishes on literature of all genres, film and television, popular culture, performance and visual art, print and material culture, etc. MCLC is edited by Kirk A. Denton at the Department of East Asian Languages and Literatures, The Ohio State University. MCLC is listed in the Arts and Humanities Citation Index. Beginning in fall 2003, book reviews no longer appear in the print journal; instead, they are published on the MCLC Resource Center, a website devoted to modern China cultural studies and affiliated with the journal. Information on book review submission can be found in the #!#!Submission#!#! page at the MCLC website. The MCLC Resource Center also has an online publication series that complements the publications in the print journal.

Modern Judaism provides a distinctive, interdisciplinary forum for discussion of the modern Jewish experience since the Haskalah, the Jewish Enlightenment. Its contributors address topics pertinent to the understanding of Jewish life today and the forces that have shaped that experience, including the Zionist movement and the establishment of the State of Israel, the socio-political role assumed by literary works of art, and the rise of modern anti-Semitism and its devastating climax in the Holocaust.

Founded in 1980 by the Association for the Study of Modern & Contemporary France, Modern & Contemporary France is an international peer-reviewed journal, offering a scholarly view of all aspects of France from 1789 to the present day.It is a multi-disciplinary journal of French studies, drawing particularly, but not exclusively, on the work of scholars in history, literary and cultural studies, film and media studies, and the political and social sciences.While the primary focus of the journal is France, the Editors also welcome submissions with a transnational or comparative dimension, as well as articles addressing aspects of the French Empire or France's relations with the wider world.Modern & Contemporary France publishes:research articlesoccasional articles discussing topical issues from a scholarly perspectivereview articlesan extensive range of book reviews The journal also publishes themed special issues, for which submissions are invited from guest editors.Peer Review Policy:All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.Disclaimer:The Association for the Study of Modern & Contemporary France and Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content"contained in its publications. However, the Association and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Association or Taylor & Francis.

Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.

This publication promotes the philosophy of social justice, equity, and inclusion. It celebrates cultural and ethnic diversity as a national strength that enriches the fabric of society. The journal encourages a range of material from academic to personal perspectives; poetry and art; articles of an academic nature illuminating the discussion of cultural pluralism and inclusion; articles and position papers reflecting a variety of disciplines; and reviews of film, art, and music that address or embody multicultural forms.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.