Television & New Media (TVNM), published bi-monthly, is an international journal devoted to the most recent trends in the critical study of television and new media. TVNM addresses questions of how issues of economics, politics, culture and power are enacted through television and new media forms, texts, industries, and contexts. Topics for the journal engage with critical and interdisciplinary research into audiences and consumers, authors and producers, cultural history and geography, globalization, policy, citizenship, activism, and pedagogy as well as the intersections between social identities, such as race, class, and gender.
INCREASING TO FIVE ISSUES AND NEW AIMS AND SCOPE IN 2011!The Asia Pacific Journal of Anthropology (TAPJA) is a leading refereed scholarly journal which publishes social and cultural anthropological research with a focus on the Asia and Pacific region, including Australia. This region has been a crucible for significant advances in the discipline and remains an important site for the development of concepts and debates. The international focus of the journal encompasses regional scholars and emerging voices from centres of research in the region. Contributions may include digital media files, including video, that are published in the online version. TAPJA publishes review essays, reviews of books and multimedia products (including music, films, and web sites) relevant to anthropological research and education. The journal is now published 5 times a year. This allows timely publication of single articles as well the space to explore important current themes in special issues. TAPJA is jointly published by the Department of Anthropology, School of Culture, History and Language, College of Asia and the Pacific and the School of Archaeology and Anthropology, College of Arts and Social Sciences at The Australian National University. TAPJA has been published continuously since 1977, formerly as Canberra Anthropology. Canberra Anthropology is now also available online through Informaworld.Peer Review PolicyAll research articles published in this journal have undergone rigorous peer review, based on initial editor screening and reports by at least two anonymous referees.Disclaimer for scientific, technical and social science publicationsTaylor & Francis and The Australian National University makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and The Australian National University and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of Taylor & Francis, the Editor or The Australian National University.
Launched in the USA in 1969 The Black Scholar (TBS) is the first modern black studies and research journal. It was founded on the premise that black writers, scholars, activists and artists could participate in dialogue within its pages. TBS' primary mission has been to chronicle, analyze and debate the conditions of and the emancipatory efforts by black people, against a multitude of oppressions that include and cross class, nationality, gender, generation, sexuality, and ideology. Due in part to the impact of the journal, Black Studies, Africana Studies, Diaspora Studies and other sub-disciplines have become legitimate spaces of scholarly inquiry. However there are few public intellectual spaces that focus on black thought, are dedicated to the new multiplicity of black perspectives (or perspectives on race) that have emerged through these disciplines, and engage with the new issues and concerns facing black communities worldwide. The Black Scholar is one of those spaces. Also, our rich mix of the scholarly and the artistic, the professional and the public/non-specialist, remains rare, as is our openness to different forms and techniques of political engagement.
Building on the journal’s initial vision, TBS aims to not only “unite the academy and the street” but also participate in a global black intellectual and cultural world that has multiple contexts and a range of materials and opinions far greater than when the journal was founded. The journal continues to engage and cultivate differential black political conversations and cultural interests (African American, African, European, Latin American, for example) while maintaining its core commitment to tough minded thinking and an overall liberationist intent. This means that we welcome submissions (in English and in translation) from anywhere in the world as long as they meet the criteria articulated on our website or in the journal.
Though TBS has always engaged issues of gender, a greater focus on sexuality is a part of our reimagining; and though the journal has always focused on race, class, power and culture, such debates have to be rendered contemporary. Of particular interest are submissions about the prison industrial complex, the current, often violent re-organization of the African continent, emerging sites and forms of struggle, new forms of popular culture and art throughout the black Diaspora, new migratory patterns, technology and social media, generational differences and sometimes quite radical distinctions in opinion and ideology. All disciplines and fields are welcome as long as they appreciate the unique opportunity the journal offers - to speak to others outside one’s area. But perhaps most important, we imagine ourselves as the forum for ideas and conversations that have yet to emerge.
All research articles in the journal will undergo a rigorous peer review based on initial editor evaluation and then at least two anonymous referees. Creative or public pieces will also undergo a rigorous evaluation, but by members of our intellectual community whose work and interests are comparable to those of the work submitted.The Eighteenth Century fosters theoretical and interpretive research on all aspects of Western culture, 1660-1800. The editors take special interest in essays that apply innovative contemporary methodologies to the study of eighteenth-century literature, history, science, fine arts, and popular culture.
The European Legacy is a multidisciplinary journal devoted to the study of European intellectual and cultural history and the new paradigms of thought evolved in the making of the New Europe.The European Legacy publishes articles, reviews, and book reviews on the main aspects of "The European Legacy" in the following disciplines: philosophy, philosophy of science, literature, politics, history of religion, science, education, law, European studies, war studies, women's studies, sociology, art, music, economics and language.Peer Review Policy:All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.Disclaimer for scientific, technical and social science publications:The International Society for the Study of European Ideas and Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, the Society and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.
The German Quarterly serves as a forum for all sorts of scholarly debates - topical, ideological, methodological, theoretical, of both the established and the experimental variety, as well as debates on recent developments in the profession. We particularly encourage essays employing new theoretical or methodological approaches, essays on recent developments in the field, and essays on subjects that have recently been underrepresented in The German Quarterly, such as studies on pre-modern subjects. The German Quarterly is an equal opportunity publication in terms of approaches, topics, epochs and styles in a landscape in which many of the best journals are now specialized. We welcome submissions on all topics in German literature, culture and film from the Middle Ages to the present, as well as comparative and interdisciplinary articles that are relevant to the field of German. Back issues of The German Quarterly are accessible to users at institutions that participate in JSTOR's Arts & Sciences III and Language and Literature Collections. Users are able to browse, search, download, and print the full-text PDF versions of articles from the first volume in 1928 up until the most recent three years.
The Germanic Review delivers the best of international scholarship in German studies. With contributors representing leading research institutions in the United States, Canada, France, Great Britain, Australia, and Germany, the journal features peer-reviewed articles on German literature and culture, as well as reviews of the latest books in the field. Most articles appear in English, although each year a few are entirely in German. Recent issues discussed the works of Walter Benjamin, Ernst Cassirer, and Thomas Mann; German national character; and German identity and historical memory. German scholars and students appreciate The Germanic Review's analyses of German literature, culture, and theory, as well as the lives of German authors. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.
The Information Society is a multidisciplinary journal intended to answer questions about the Information Age. It provides a forum for thoughtful commentary and discussion of significant topics in the world of information, such as transborder data flow, regulatory issues, the impact of the information industry, information as a determinant of public and private organizational performance, and information and the sovereignty of the public and private organizational performance, and information and the sovereignty of the public. Its papers analyze information policy issues affecting society. Because of the journal's international perspective, it will have worldwide appeal to scientists and policymakers in government, education, and industry. Topics covered include: * The rise of virtual communities * Visions and practices of digital libraries * E-commerce and business processes * Evolving notions of information infrastructure * Various forms of 'electronic democracy'Peer Review Policy: All research articles in this journal have undergone editorial screening and peer review. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.
The International History Review is the only English-language quarterly devoted entirely to the history of international relations and the history of international thought. Since 1979 the Review has established itself as one of the premier History journals in the world, read and regularly cited by both political scientists and historians. The Review serves as a bridge between historical research and the study of international relations. The Review publishes articles exploring the history of international relations and the history of international thought. The editors particularly welcome submissions that explore the history of current conflicts and conflicts of current interest; the development of international thought; diplomatic history; the history of international relations theory; and the history of international organisations and global governance. The Review publishes articles, review articles and book reviews. Articles should be no more than 12,000 words (including footnotes), while review articles should not exceed 6,000 words. Shorter articles are welcome. The editors also welcome proposals for special issues or sections. Book reviews should be between 500 and 1,000 words, with the final length for each review being decided by the book reviews editor. Disclaimer for scientific, technical and social science publications: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis. Routledge History Promote Your Page Too.