Journal Guide

No recent decade has been so powerfully transformative in the United States and much of the world as the 1960s. The era's social movements - from civil rights, to feminism, student and youth protest, environmentalism, and nascent conservativism - dramatically changed the political culture of the developed west. Meanwhile, the decade's decolonization struggles altered the nature and balance of global power. In Communist Europe, incipient democracy movements set the stage for the revolutions that ended the Cold War. Collectively, these movements gave the 1960s their signal identity, and dominate understandings of their historical legacy. Whether in the United States, or across the globe, no recent decade has had such an enduring grip on politics, culture, and consciousness as the 1960s. The Sixties: A Journal of History, Politics and Culture, features cross-disciplinary, accessible and cutting-edge scholarship from academics and public intellectuals. In addition to research essays and book reviews, The Sixties includes conversations, interviews, graphics, and analyses of the ways the 1960s continue to be constructed in contemporary popular culture. What people are saying about The Sixties: 'At last an academic journal one can learn from and look forward to reading.' - Richard Flacks, University of California at Santa Barbara and co-founder of Students for a Democratic Society 'The 1960s are ripe for historical interpretation, and The Sixties offers rich and diverse perspectives on the politics and culture of that critical era--from the local to the international, from personal accounts to scholarly reviews and new research.' - Estelle Freedman, Stanford University 'The globe-transforming dramas of the 1960s have become crucial albeit contested reference points in many of the most passionately fought cultural and political wars in our complex 21st-century present. This brilliantly conceived journal comes just at the right moment, providing a fantastic array of deeply researched, innovatively analytic work that helps fill the many gaps in our historical understanding -- and hopefully can suggest new departures for the future as well.' - Dagmar Herzog, Graduate Center, City University of New York Become a fan of The Sixties on facebook: www.facebook.com/thesixtiesjournal Disclaimer for scientific, technical and social science publications: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis. The Sixties: A Journal of History, Politics and Culture Promote Your Page Too.

The Year’s Work in Critical and Cultural Theory is a companion volume to The Year’s Work in English Studies. It provides a narrative bibliography of published work, recording significant debates and issues of interest across a broad range of research in the humanities and social sciences. As the fields of critical and cultural studies shift, so the range and scope of the journal alters, and current volumes include chapters on Digital Media, Science and Medicine, and Popular Culture. The Year’s Work in Critical and Cultural Theory functions as a bibliographical tool of practical use to scholars and students alike, as well as a lively collaboration with contemporary debates.

Theory, Culture & Society is a highly ranked, high impact factor, rigorously peer reviewed journal that publishes original research and review articles in the social and cultural sciences. Launched to cater for the resurgence of interest in culture within contemporary social science, it provides a forum for articles which theorize the relationship between culture and society.

Thesis Eleven (Thesis 11), peer reviewed and published quarterly, is multidisciplinary, reaching across the social sciences (sociology, anthropology, philosophy, geography, cultural studies, literature and politics) and cultivating diverse critical theories of modernity. Reflecting the broad scope of social theory it encourages civilizational analysis on a wide range of alternative modernities and takes critical theory from the margins of the world system to its centre.

Included in the Thomson Reuters Arts & Humanaities Citation IndexThird Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film - Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria. The journal aims to develop new discourses and radical interdisciplinary scholarships that go beyond the confines of eurocentricity.Peer Review Policy:All research articles published in this journal have undergone peer review based on initial editorial screening.Disclaimer for scientific, technical and social science publications:Taylor & Francis and Third Text makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and Third Text and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis and Third Text.