EXCHANGE is published by Brill in cooperation with the Centre for Intercultural Theology, Interreligious Dialogue, Missiology and Ecumenism (Centrum IIMO) in the Netherlands. This quarterly journal contains articles and book reviews on topics in the field of intercultural theology, inter-religious dialogue, missiology and ecumenics. The focus is on the context and ideas of Third World theologians.
The first issue of Exemplaria, with an article by Jacques Le Goff, was published in 1989. Since then the journal has established itself as one of the most consistently interesting and challenging periodicals devoted to Medieval and Renaissance studies. Providing a forum for different terminologies and different approaches, it has included symposia and special issues on teaching Chaucer, women, history and literature, rhetoric, medieval noise, and Jewish medieval studies and literary theory. The Times Literary Supplement said of Exemplaria that 'it breaks into new territory, while never compromising on scholarly quality'.
Experiment, an annual journal devoted to Russian culture, focuses on the movements of the early twentieth century. These include both traditional and non-traditional avenues of academic enquiry, such as studio painting and graffiti, sculpture and ballroom dancing, architecture and commercial advertising. It is hoped that broader examination of such disciplines within critical discourse will provide a stronger and more precise definition of Russia's cultural accomplishment. Supervised by an editorial board of international stature, Experiment emphasizes an interdisciplinary approach, drawing upon archival sources while promoting and documenting the history of the Russian arts. The journal recognizes the achievements both of Imperial and Soviet Russia and of the diaspora.
Extrapolation was founded in 1959 by Thomas D. Clareson and was the first journal to publish academic work on science fiction and fantasy. It continues to be a leading, peer-reviewed, international journal in that specialized genre in the literature of popular culture. It welcomes papers on all areas of speculative culture, including print, film, television, comic books and video games, and particularly encourages papers which consider popular texts within their larger cultural context. The journal publishes a wide variety of critical approaches including but not limited to literary criticism, utopian studies, genre criticism, feminist theory, critical race studies, queer theory, and postcolonial theory. Extrapolation promotes innovative work which considers the place of speculative texts in contemporary culture. It is interested in promoting dialogue among scholars working within a number of traditions and in encouraging the serious study of popular culture.
Fabula is an international medium of discussion for all issues relevant to historical and comparative folk narrative research. The journal contains eight sections: articles, shorter contributions, research and conference reports, information, reviews, bibliographical notes, books received, announcements of the ISFNR. The article section deals with the study of popular narrative tradition in its various forms (folktales, legends, jokes and anecdotes, exempla, fables, ballads, pictorial media, contemporary genres) and with the interrelationship between oral and literary traditions. Interest focuses on Europe and its spheres of influence, which does, however, not exclude contributions from other cultural areas.
Fashion Theory takes as its starting point a definition of ‘fashion’ as the cultural construction of the embodied identity. The importance of studying the body as a site for the deployment of discourses has been well established in a number of disciplines. Until Fashion Theory’s launch in 1997 the dressed body had suffered from a lack of critical analysis. Increasingly scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory provides an international and interdisciplinary forum for the rigorous analysis of cultural phenomena. Its peer-reviewed articles range from foot-binding to fashion advertising.
Textile Engineering, Characterization and Evaluation of Materials, Business/Management Science, Humanities, Life Sciences, Environment
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A fully peer-reviewed international journal of folklore and folkloristics. Folklore is one of the earliest English-language journals in the field of folkloristics, first published as The Folk-Lore Record in 1878. Folklore publishes ethnographical and analytical essays on vernacular culture worldwide, specialising in traditional language, narrative, music, song, dance, drama, foodways, medicine, arts and crafts, and popular religion and belief. It reviews current scholarship in a wide range of adjacent disciplines including cultural studies, popular culture, cultural anthropology, ethnology and social history. Folklore prides itself on its special mix of ethnography, analysis and debate, formal and informal articles, reviews, review essays and bibliographies. It encompasses both North American and European approaches to the study of folklore and covers not only the materials and processes of folklore, but also the history, methods and theory of folkloristics. Folklore aims to be lively, informative and accessible, whilst maintaining high standards of scholarship. Join the Folklore SocietyBenefits of Folklore Society membership include: receipt of FLS News, access to JSTOR's electronic archive of back-numbers of Folklore; information about publications and events, preferential rates for some events and publications, and access to FLS information services and library. More details at www.folklore-society.comOnline subscription formDisclaimer for scientific, technical and social science publications:The Folklore Society and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the Society and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.
Food and Foodways is a refereed, interdisciplinary, and international journal devoted to publishing original scholarly articles on the history and culture of human nourishment. By reflecting on the role food plays in human relations, this unique journal explores the powerful but often subtle ways in which food has shaped, and shapes, our lives socially, economically, politically, mentally, nutritionally, and morally. Because food is a pervasive social phenomenon, it cannot be approached by any one discipline. We encourage articles that engage dialogue, debate, and exchange across disciplines. Food and Foodways publishes work by anthropologists, biologists, economists, ethnobotanists, historians, literary critics, nutritionists, psychologists, sociologists, and others who use food as a lens of analysis. We also seek review essays or short topical pieces that are provocative and problematic in nature.Peer Review Policy:All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by three anonymous referees.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.